My work takes photographic samples observed in nature and the city and uses digital techniques of rotational symmetry, modular duplication, and subtle manipulations of color to create hypnotic mosaics and visions of science fiction inspired worlds.
While this practice of patternation has its roots in 19th-century textile artists such as William Morris and early computational artists such as John Whitney, the environments that I strive to create are inspired by fictional worlds created by directors such as Ridley Scott and Alex Garland.
In response to recent reversals in environmental policy, I began a new body of work titled Counterfactual Nostalgia.
It emerges from a profound sense of loss—not for what was, but for what might have been.
I construct landscapes that hover between the familiar and the impossible: sites once defined by extraction and industry are reimagined as realms of quiet beauty—spaces for contemplation rather than conquest.
These images dwell in the liminal space between memory and imagination, invoking a longing not for a lost past, but for an alternate future—a world that never came to be, but perhaps still could.
I’m a classically trained fine artist, with a stong interest in painting and drawing. I frequently attend figure drawing salons and painting sessions to further finesse my skills.
