My current work takes photographic samples observed in nature and the city and uses digital techniques of rotational symmetry, modular duplication, and subtle manipulations of color to create hypnotic mosaics and dreamy visions of science fiction inspired worlds.
While this practice of patternation has its roots in 19th-century textile artists such as William Morris and early computational artists such as John Whitney, the environments that I strive to create are inspired by fictional worlds created by directors such as Ridley Scott and Alex Garland.
I’m also interested in painting and drawing, especially when it comes to mixed media. I frequently attend figure drawing salons and painting sessions to further finesse my skills.
